- Update: Lucasfilm Denies New Star Wars Trilogy Is in the Works
- Defining Military Science Fiction
- Is the universe a hologram?
- US Lost The Codes For Nuclear Launch For Months
- When Your CEO Suggests Moving In Response To Privacy Questions, Time For A New CEO
- Internet privacy Venn diagram
- The Real Tragedy of RapLeaf for Web Surfers
- Even If Solar Grows 30X, It Will Only Be 4% Of America’s Power Capacity
- The Truth: Why iPhone Users Will Ditch AT&T and Run to Verizon
- Fantasy Magazine to Relaunch in March 2011 with a New Look, a New Approach, and a New Editor
- Pay Yourself First
- Wi-Fi Direct poised to usurp Bluetooth for device-to-device communication
- Rumours of the novel’s death, etc etc
- Kindle To Let You Lend Books, Just Like A Real Book... Except Not
- The Color Nook Could Be The Tablet Tipping Point
- Beaming to the Cloud All the Mess That Is Our Digital Life
- xkcd: Constructive
- Idoru: manufactured pop music approaches apogee
- Feeling Sad Makes Us More Creative
The personal blog of Jay Garmon: professional geek, Web entrepreneur, and occasional science fiction writer.
Showing posts with label GeorgeLucas. Show all posts
Showing posts with label GeorgeLucas. Show all posts
Tuesday, October 26, 2010
'Lucasfilm Denies New Star Wars Trilogy Is in the Works' ... +18 more must-read links
Thursday, October 22, 2009
Nerd Word of the Week: Monomyth
Monomyth (n.) - A term for the common structure of heroic stories, particularly in mythology. Also known as the hero's journey, the term monomyth was popularized by Joseph Campbell in his seminal comparative mythology treatise The Hero With A Thousand Faces. Campbell broke down dozens of epic tales from major mythological traditions and identified 17 common stages of any hero's story -- effectively writing the outline of seemingly every successful adventure story subsequently published.
George Lucas openly consulted with Campbell in writing the first Star Wars scripts, and thus the original Star Wars movie is held up as a paramount example of the cinematic monomyth in action. Naturally, this has led to some backlash. Novelist David Brin has cited the monomyth as a tool of despots used to justify their favored status. John Scalzi argues that Lucas's obsession with the monomyth contributed to the failure of the Star Wars prequels.
I bring it up because: Joseph Campbell killed genre fiction, or so some have argued. This is not news, as there have been several YouTube videos mocking the monomyth parallels between sci-fi franchises, but the subject got goosed last week when Ron Moore explained how Star Trek: The Next Generation writers incorporated science into their scripts. (To quote sci-fi editor John Joseph Adams's response to the interview: "Every time Ron Moore speaks about writing an angel kills itself.")
The geek blogosphere was ablaze after Moore's comments, hitting apogee when Charles Stross explained why he hates Star Trek -- because it sublimates ideas to story, effectively using the structure of the monomyth and dressing it up in technobabble drag. Thus we re-open up the can of worms as to why TV genre fiction seems so formulaic and facile when compared to prose genre fiction. Because, ultimately, we're a prisoner of the monomyth and use Joseph Campbell shorthand as the basis, rather than the framework, of the story. There are worse guides, but its hard to be taken seriously when everything looks and reads and sounds the same. Who says cloning is a future technology?

George Lucas openly consulted with Campbell in writing the first Star Wars scripts, and thus the original Star Wars movie is held up as a paramount example of the cinematic monomyth in action. Naturally, this has led to some backlash. Novelist David Brin has cited the monomyth as a tool of despots used to justify their favored status. John Scalzi argues that Lucas's obsession with the monomyth contributed to the failure of the Star Wars prequels.
I bring it up because: Joseph Campbell killed genre fiction, or so some have argued. This is not news, as there have been several YouTube videos mocking the monomyth parallels between sci-fi franchises, but the subject got goosed last week when Ron Moore explained how Star Trek: The Next Generation writers incorporated science into their scripts. (To quote sci-fi editor John Joseph Adams's response to the interview: "Every time Ron Moore speaks about writing an angel kills itself.")
The geek blogosphere was ablaze after Moore's comments, hitting apogee when Charles Stross explained why he hates Star Trek -- because it sublimates ideas to story, effectively using the structure of the monomyth and dressing it up in technobabble drag. Thus we re-open up the can of worms as to why TV genre fiction seems so formulaic and facile when compared to prose genre fiction. Because, ultimately, we're a prisoner of the monomyth and use Joseph Campbell shorthand as the basis, rather than the framework, of the story. There are worse guides, but its hard to be taken seriously when everything looks and reads and sounds the same. Who says cloning is a future technology?
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