Friday, October 30, 2020
via Twitter https://twitter.com/themandalorian
October 19, 2020 at 09:00AM
As we near the end of Plague Year One, a number of restless folks in the Louisville fandom community are making tentative plans to stage a fan convention to take the place of the late, lamented ConGlomeration. As such, my #concomlife posts have started to get some eyes again, and a few folks have asked my thoughts on reviving fan events in the Derby City.
So here it is: The Louisville Fan Convention I would start, but literally never will. (Don't ask; the answer is forever, "no.")
There were three areas of ConGlomeration that drove nearly all our attendance (we know because we surveyed our members about it): The general fandom family reunion experience; the Dealer's Room & Art Show; and the game room. If I were starting a new fan convention in Louisville, I'd focus on those three things, plus one more aspect we know is popular but never could get to be a huge part of our own event: cosplay.
Literally everything else about ConGlomeration I'd drop. And, more broadly, I'd only include things in the new fan convention that met this standard: what can fans only do in person, rather than online?
No Guests; Few Programs
This, frankly, means an end to almost all of the programming that happened at ConGlomeration. It also likely means no Guests of Honor (one of our major expenses). Most program panels are basically live-action podcasts, often with Guests sitting in. By that, I mean I'm not seeing or hearing anything from anyone I couldn't get as well or better online, other than the mild thrill of being in the room and maybe getting an autograph (which I could also buy off eBay, or track down at a major media con, if I really wanted that). Small fan conventions can't win on the "meet a nerd celebrity" front, so I wouldn't even try to play that very expensive game.
This also isn't the 1970s or '80s when Starlog magazine was the only place to hear from geek media figures. They all have social media now, so I don't have spend three days at an airport hotel to find out what my favorite genre author or geeky TV star is really like.
I also don't need a writer's workshop; you can get that advice and join writers groups online. I don't need advice on gaming; there are how-to-play tutorials and game reviews all over YouTube. I don't even need art demos, because those are everywhere on the web. I certainly don't need movie watch-parties; thanks to online streaming, there is no obscure movie or show that I can't track down from the comfort of a web browser and then discuss online.
If I'm doing any programming at all, it would be extremely limited to very hands-on workshops, with very small groups of people, where participants could physically learn techniques for art or cosplay. I can't learn how to handle a glue gun or an airbrush just from videos; I need to hold one in my hands. But those programs would have material costs that would need to be worked out, so they need to be staged only for the most in-demand activities.
And if I'm only doing hands-on workshops, I don't need to shell out to import name guests, which was one of ConGlomeration's biggest expenses. Guests of Honor sometimes helped us draw in new members when we advertised them, but those ads performed only marginally better than just "Spend Three Days Gaming" or "Enjoy a Cosplay Weekend" ads, and only when we had a pretty well known guest like Tim Zahn or J.G. Hertzler. (Now, those guests usually paid off in the long run by showing our members a really good time, which made members want to come back, but that's an expensive investment I can replace with just executing a good convention.)
Finally, if I were to decide to stage any programs, I would have inverted the usual program process. Traditionally, people who want to run programs submit ideas, and then the Program Director chooses which ones they like and works out a schedule. That gets really challenging, especially if few of the submitted ideas are good, all the submitters want to have their panels at the same time (and won't budge), and/or the panelists want their memberships comped or to be paid extra for running a program.
Instead, I would have created the list of programs I wanted to happen, and put out a call for volunteers to stage the programs I want. For example: I want three hands-on workshops for painting gaming miniatures, at three skill levels. I'll take submissions from potential panel-runners on who could do that at the specific times I dictate in my schedule. The instructor(s) I choose from the auditions get the gig, and I'll pay them for their time (say, $10 an hour).
I'll have a budget for how many hours of programs I can afford, and I'm up front about expectations, time, and remuneration. My life gets a lot simpler when I'm taking bids on a schedule I want, rather than hoping someone creates panels for me from thin air. I start with a schedule I know I can market and, if no one bids on the panels I want, they just don't happen. That's a better, more manageable panel lineup with less work and stress.
All the Genre Art You Can Handle
Louisville's next fan convention should look a bit like St. James Court Art Fair for nerds. We had a pretty great art show. Artists who exhibited there also tended to make pretty good money, even without attending. They just shipped their goods in, we sold them (in exchange for about 10% of the take), and whatever didn't sell we shipped back. It worked so well that artists would exhibit with us year after year, always making money on art that was by no means cheap, but still sold.
Louisville's next convention should triple down on that, because no online experience can compare to holding Tolkien-inspired pottery in your hands or seeing hand-painted fantasy art in person. It's beautiful to look at and it makes you want to buy it all and put it in your house.
ConGlomeration also ran a very well respected charity auction via our Art Show, and handed out some well-juried art awards that were treasured on the genre circuit. Those are successful traditions well worth resurrecting -- only bigger.
A Live-Action Etsy Store
The ConGlomeration Dealer Room was fairly successful and very popular, partially for the same reasons the Art Show did well: people want to see the goods in person, especially when those goods are bespoke and hand-made. Where ConGlomeration could have done better is in trying to court exactly the kind of vendors who thrive in that environment. Put another way: more custom costumes; fewer nerdy t-shirts.
The merch vendors at major media conventions are all national players selling the same Captain America sweatshirts and replica Star Trek combadges in every city (that you can also buy cheaper online). ConGlomeration was where you could find $20 crocheted dragon plushies and $400 custom leather cloaks, verify their quality and, if you didn't like any of the goods the vendor had on site, you could commission them for a custom item right then and there, haggling on price and delivery time in person.
Louisville's next fan convention should court exactly these kinds of vendors, and work to curate a Dealer Room that exhibits items you can't find at big cons or on eBay. (If I want an out-of-print game supplement, I can find it online. The only reason people bought gaming gear in our Dealer Room was because the dealer was slashing prices to clear inventory, and because some people simply can't ever resist new gaming dice.)
This makes the Dealer Room an extension of the Art Show and the cosplay emphasis discussed above, with hand-made costumes and collectibles being the majority of what is sold, and vendors understanding that they'll make as much in custom commission orders as they will selling already-made goods.
In-Person Gaming Perfected
Multiply the Masquerade
Double Down on the Family Reunion
Tuesday, October 27, 2020
Y'all see how quickly the senate can move when power is at stake.— Phillip Atiba “Don’t Wear Blackface” Goff (@DrPhilGoff) October 27, 2020
Remember that when our lives are at stake and they say they need more time.
via Twitter https://twitter.com/DrPhilGoff
October 26, 2020 at 09:19PM
Sunday, October 25, 2020
Friday, October 09, 2020
Racism is not, in fact, about class, either in who does it or who's affected by it. But re-branding racism as a class marker does double duty: excusing violent racists as victims while absolving middle-class and wealthy whites of any need for introspection.— Annalee (@LeeFlower) October 9, 2020
via Twitter https://twitter.com/LeeFlower
October 09, 2020 at 10:59AM
Thursday, October 08, 2020
Conservatives think "the little guy" is the guy who owns the restaurant, not the 10 staff making less than minimum wage serving unmasked customers.— Mel (@melaniekmelvin) October 7, 2020
via Twitter https://twitter.com/melaniekmelvin
October 07, 2020 at 03:51PM
Wednesday, October 07, 2020
In which Werner Herzog gives the an incredible answer when asked how many languages he speaks pic.twitter.com/BOdUwiImi8— Séamas It Ever Was (@shockproofbeats) October 7, 2020
via Twitter https://twitter.com/shockproofbeats
October 07, 2020 at 05:23AM
Too many of you are confused about your class status. If you can’t afford to miss a paycheck, you’re the working poor, and part of the 80% of Americans living paycheck to paycheck. If you HAVE to work to survive, you’re working class.— AshleyStevens (@The_Acumen) October 5, 2020
via Twitter https://twitter.com/The_Acumen
October 05, 2020 at 10:52AM
Tuesday, October 06, 2020
You are not apolitical, you are simply comfortable in the current political climate.— Bethany C. Morrow (@BCMorrow) October 6, 2020
via Twitter https://twitter.com/BCMorrow
October 06, 2020 at 03:10PM
ARTICLE: How, at the age of just 22 did this man...— Tomb Scream(hollow)man (@TNeenan) October 6, 2020
ME: Is it rich parents?
ARTICLE: ... Yeah.
via Twitter https://twitter.com/TNeenan
October 06, 2020 at 09:31AM